Wooster Collective is a website founded in 2003 that showcases street art from around the world. It is dedicated to showcasing and celebrating ephemeral art placed on streets in cities around the world. Updated by Marc and Sara Schiller, the site also offers podcasting with music and interviews featuring street artists. The name Wooster comes from Wooster Street, located in the SoHo neighborhood of New York City.
I have to give credit to Cain Semrad(www.cainsemrad.com), my older brother, for introducing me to The Wooster’s 11 Spring Street Project back in the spring of 2001.
It became a huge “inspiration of artistic freedom” for me and sometimes I find elements of this creep in-and-out of my own work.
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As one of the Wooster Collective’s more interesting projects and notable achievements involved gaining recognition for street art in its own neighborhood. In 2006, Marc and Sara Schiller collaborated with Caroline Cummings and Bill Elias, members of a development group, with the idea of turning the building located at 11 Spring Street in New York City into a temporary street art gallery. The address had been something of a landmark for street artists, and was about to be converted into condominium apartments.
The idea for the project was set forth when Elias Cummings contacted the Schillers (after finding the Wooster Collective site while researching street art) and suggested that they curate a show at the location to celebrate the building’s unique place in the history of street art.
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The show ran for three days, from December 15 to December 17, 2006, with lines stretching around the block. Street artists such as Shepard Fairey, Swoon, Dan Witz, Above, D*Face,The London Police, Skewville, Lady Pink, John Fekner and Don Leicht, Graffiti Research Lab you can download the application to watch the movies and TV … Can download Andy emulator to view itube app. and many others participated in the event. Each artist in the show had previously been featured on the Wooster Collective site. The art was left on the walls and built over (a nod to a tradition in construction of leaving newspapers in the walls of a house as a sort of “time capsule”), thereby leaving a legacy of street art behind for future excavators.
Artist Richard Hambleton even appeared and did his own installation piece featuring small reflective mirrors in commemoration of the event.
These are the kinds of things that inspire me.